POST PAINTING SUPPLEMENT ON THE ICON ‘HOLLY TRINITY’ (1813/4) FROM THE KARPENSKI MONASTERY IN KUMANOVO, R.MACEDONIA
Keywords:
icon, analyses, pattern, pigments, supplement
Abstract
The icon Holy Trinity belongs to a grouping of icons from the Karpensky monastery-Kumanovo, dated from the 16 th century. These icons distinguishthe manner of the Samokov painting school from earlier 19 th century, dated in the year of 1813/1814. The iconography identifies multy-system layer, characteristic for the traditional icon painting with the exceptional,gilded background.
References
[1]. Masnic M. Patrimonium, Ikoni od samokovski zograf na noviot ikonostas od Karpenskiot manastir Vovedenie na Bogorodica, MK, 9/2011,pp.253 - 266
[ 2 ] V.V. Filatov, Русская станковая темперная живопись. Tехника и реставрация, Искусство, Мoskva, 1961,13
[ 3 ] Medic M. Stari slikarski prirucnici I, Cennino Cennini, Il libro dell’arte, CXLVI, 461
[ 4 ] Miljkovic P._Pepek, Unknown Treasury of Icons , Institute for protection of the cultural monuments of the city of Skopje , 2002
[ 5 ] Popovska.A. Certain typesof over - painting on the icons...Cultural Heritage 35, Skopje, 2011, pp.75 - 90
[ 2 ] V.V. Filatov, Русская станковая темперная живопись. Tехника и реставрация, Искусство, Мoskva, 1961,13
[ 3 ] Medic M. Stari slikarski prirucnici I, Cennino Cennini, Il libro dell’arte, CXLVI, 461
[ 4 ] Miljkovic P._Pepek, Unknown Treasury of Icons , Institute for protection of the cultural monuments of the city of Skopje , 2002
[ 5 ] Popovska.A. Certain typesof over - painting on the icons...Cultural Heritage 35, Skopje, 2011, pp.75 - 90
